Category Idiocracy

Welcome to the shallow end of the gene pool, where institutions creak, experts preen, and common sense has been labeled extremist. This is the domain of credentialed clowns, procedural necromancers, and moral toddlers in charge of fire exits.

Here I document the slow-motion implosion of governance, education, media, and culture — not with outrage, but with the grim satisfaction of someone who saw it coming and packed snacks. No reform fantasies. No hand-wringing. Just a front-row seat to the theater of the absurd, with the occasional sharp object thrown from the balcony.

Fortress of One

Silhouette of a person with arms outstretched at sunrise over a vast horizon, symbolizing solitude and freedom.

Solitude is never fashionable. The world worships noise—likes, followers, group chats, endless parties where the music is bad and the conversations worse. Yet here’s the secret: if you can endure silence without mistaking it for rejection, you forge an iron frame. To be alone and not collapse—that’s the first taste of freedom.

The Pocket-Picking State

A wolf disguised in a sheep’s fleece standing among a flock of unsuspecting sheep.

The state doesn’t need to break your legs; it just fattens you until you can’t run. Own too much, stay too still, and you’ll be plucked clean. Survival means mobility, lean pockets, and the stubborn refusal to pay more than law demands. Never naked—just cleverly threadbare.

The Last Untamed Creature

Three battery icons at different charge levels: 100% in green, 50% in yellow, and 25% in red, symbolizing human energy, resilience, and independence.

We are all inventory in someone’s ledger: soldiers drilled to obey, citizens trained to comply, rebels marching in ragged formation. The anarchist alone refuses the whistle. He is dangerous not because he breaks rules, but because he demonstrates they can be ignored. That is the unforgivable sin in a world addicted to hierarchy.

The Myth of the Great Leap

Man mid-air leaping into the deep blue ocean, captured from behind as he plunges away from a ship’s edge.

We were promised utopia—fusion in a bottle, cities on Mars, salvation by solar panel. What we got instead were subsidies, sermons, and disappointment. Progress is no shining staircase but a drunk stumbling through a swamp: crooked, halting, and blind. We dream in straight lines, yet reality forever drags us sideways.

Through the Noise, Barely

A solitary man sits on a small stool in a dim prison cell, facing barred windows where pale light filters through, casting long shadows across the floor.

We all live inside frames—cages of habit, obedience, and borrowed conviction. Some decorate theirs with flags, others with slogans, most with silence. But the anarchist scratches at the bars, not out of hope, but hunger: to taste a sliver of raw existence unfiltered by hierarchy, unblessed by authority, unowned by anyone.

The Paper Cathedrals of Academia

A fragile house of cards in black and white, spotlighted to reveal its precarious construction.

Academia does not traffic in truth; it barters in narratives, polished like relics for a congregation desperate for certainty. Professors genuflect before consensus, mistaking repetition for rigor, while reality stands outside the lecture hall, uninvited and unmoved. The cathedral of scholarship is built not on stone, but on paper—and termites are feasting.

The Long Reckoning

A crocodile lurking just below the water’s surface, eyes fixed and waiting, blending into its surroundings.

For twenty-five years the world dodged every reckoning, each crisis smothered in money-printing and wishful thinking. But debts do not vanish; they metastasize. Now the bill has arrived, and it will be collected not in dollars but in lives, futures, and illusions. The only question worth asking is: who among us pays first?

Contentment Is a Discipline

Children running barefoot at sunset, rolling tires through dust, silhouettes glowing in golden light.

In a Libreville forest clearing, I found a barefoot family laughing harder than most executives after a promotion. They had nothing—and everything. Contentment wasn’t a reward but infrastructure. Meanwhile, I flew business class, racked up air miles, and slept under remote-controlled curtains—still miserable. Turns out, the best things in life really are free.

The Machine Will Not Save You

Weathered road sign reading “UTOPIE,” pointing toward an overgrown path.

AI isn't a mechanical messiah. It exposes you. Feed it vagueness, get polished sludge. Show up sharp—it's leverage that multiplies clarity. Show up lazy—it amplifies your bullshit. It demands labor, precision, and the humility to answer uncomfortable questions. Not a free ride. A mirror that sharpens the sharp and humiliates the inattentive every single time.

Never Again, Until Again

Black-and-white photograph of a barbed-wire fence and concrete wall with a warning sign reading “Halt! Stoj!” marked with a skull and crossbones.

I grew up in Austria with the bassline of “never again” humming through every lesson, every warning, every civic ritual. We thought we had inoculated ourselves against tyranny. Yet when fear came wrapped in the language of safety, it was the respectable middle who snapped on the jackboots—and the majority who clapped.

The Deadly Fear of Offending

Old gas mask hanging in a decayed, abandoned room, symbolizing survival, danger, and the hidden cost of silence.

There are places where politeness is fatal. Not just Tehran boardrooms, but suburban dinner tables, cockpits, and clean rooms. We’ve built cultures where the fear of offending outweighs the fear of dying. Silence isn’t neutral—it’s complicity. Survival doesn’t belong to the courteous; it belongs to those willing to interrupt before the crash.

Too Late? Says Who

Elderly woman walking with a rollator on a rural path, accompanied by a small brown dog.

Hope delays action and sugarcoats the rot. Acceptance is better—then squeeze the bottle of life until it crumples in your hands. It’s not Game Over, just a change in strategy: tunnel instead of leap, dig up half-dead ambitions, and try—not for applause, but because the doing is the point.